Canon Camera Bag Product review

Multiple media formats expand and new technology adds additional functionalities Canon Camera Bag Product review. People are replacing their media-capture gear faster than before. Most photographers now record video as well as stills. “What’s in our camera bag” blogs are popular because people learning new techniques demand gear advice. Our video marketing guide explains how you use video in marketing, sales, and service.

Nextiny wants to record more footage than ever. Let’s look through our existing camera bag and some of our first equipment. Then we’ll share our gear wish list and future plans Canon Camera Bag Product review.


Our cameras are crucial. When we need a two-camera setup or have two shooters, we employ the Canon EOS 5D Mark III and Sony a6300.

Both cameras are high-quality and crisp. We had to make color grading adjustments in the editing facility because we used two distinct camera brands. If you’re an experienced shooter, you’ve probably heard of Canon’s “color science,” which produces smoother, more vibrant film than Sony or other brands.

We appreciate using both cameras, but we’d like to add a third of the same kind to lessen color grading burden. Do you prefer Sony or Canon? Comment below!

Before these cameras, we used an iPhone. The best camera is the one you have. iPhone can take high-quality video in favorable lighting, but it has limitations.

We also film with DJI’s latest Mavic 2 Pro. Its benefits are apparent. The 1-inch sensor and compact design match our image quality criteria. DJI has built the perfect drone for us to capture B-Roll of our client’s facilities and surrounding locations.


Two lenses for each camera. Because of its small depth of field at 50mm, we use it for interview footage. Canon 17-40mm f1.4 and Sony 16-50mm f3.5-5.6 lenses are perfect for tight-quarters shooting.  When we need to move closer to our subject or capture B-Roll, we use our Sony 55-210 f4.5-6.3 lens. Due to its wide range, you may occasionally observe barrel distortion.


We utilize Zoom H1 Handy Recorders since a video’s audio is crucial. They’re small, compact, and easy to use and produce high-quality sound for post-production. Zoom has larger recorders with more channels, but we like the H1. Because the H1 is so easy to use, we can have any subject hit record, put it in their pocket, and not worry about a large, uncomfortable microphone Canon Camera Bag Product review.


Lighting kits have advanced technologically. A decade ago, light kits were generally huge, bulky lights that required sensitive bulbs and consumed much electricity. Now we can use an energy-efficient, easy-to-install LED light system. Our FancierStudio 3-way LED studio lights can be set up as a single light or a three-way lighting scheme. They also let us adjust the color temperature to fit the natural light.

When photographing an interview or subject, we often use a Neewer ring light and LED panel light kit. Ring lights enhance a subject’s look. The light gives the subject depth and dazzles the spectator.


Tripods are essential for steady photography. Manfrotto’s payload can support our existing and future cameras. Manfrotto legs are reliable and durable. We don’t have to worry about wind blowing over the tripod or a leg giving way for a crooked shot. Most camera accessories have Manfrotto adaptor plates. This enables switching from tripods to gimbals easy.


Remember how I said time flies and we change gear to get the greatest footage? Our new Zhiyun Crane 2 lets us capture seamless video on the move. This gives us the freedom to mount the camera and start filming. Before stabilizers, we needed huge, unwieldy dollies with full tracks.

The Glide Gear Teleprompter has been an unsung hero for us – I can’t tell you how many times the topic stopped when we hit record. Thanks to the teleprompter and Parrot teleprompter software, we can write a screenplay and have the subject read it.


We have a varied selection since specialized needs require particular equipment. With our new Zhiyun Crane, we’ve been storing our IMORDEN more. This is because the Crane performs more efficiently overall. The IMORDEN stabilizer is manual and lacks electronics, so it’s a good backup if our Zhiyun Crane malfunctions. Pangshi24 “The Zhiyun Crane can take identical images to the slider with easily but is a backup in case it fails. We also offer a motorized Movo Photo tripod head. We usually set it up at the beginning of a session to take time lapse photos for a video’s final cut.


Nextiny’s camera bag is empty. Let’s talk about what we want after discussing what we have. A squad can dream, right? This list could serve as a model for other companies seeking professional video equipment.


Sony has been making high-quality cameras for years, and the A7III is no exception. The 4k mirrorless camera costs less than $2,000 and is small, making it ideal for run-and-gun shooting. Its numerous frame rates, resolutions, and ISO settings allow excellent low-light shooting. Even if the A7III isn’t the “best” camera, it fulfills Nextiny’s needs.

If budget were unimportant, we’d consider the Sony FS5. Overdone, but a real workhorse. 10-bit 4:2:2 color spacing on a super 35 sensor at 4k is amazing, but being able to produce uncompressed 4k at 60 fps amazes me. Sony’s camera is amazing with 240 fps burst mode, variable ND, and lens selections.


We have our drone. Could we use a larger, better-equipped drone, like an Inspire 2? Mavic 2 Pro’s image quality and size are ideal for us. Speculative drone? Check.


Two lenses are all we’d need for our perfect A7III camera. The 24-70mm lens is a versatile workhorse for Sony Alpha series lenses. A 35mm prime lens makes very excellent interview photos.



Better audio equipment means cleaner channels. Our audio equipment is good, but it can be better. Sennheiser’s AVX lav microphones and MKE 600 shotgun mic are industry standards.


Better illumination means more accurate color, as with audio. Low-cost LEDs don’t always match temperature with hue. LED lights vary in price but appear similar in shape. Power outputs and color uniformity matter more than build quality. KinoFlo makes some of the best lights available.


Tripods aren’t complicated, but they have many benefits. First, the Manfrotto BeFree Live tripod is smaller than our current ones, easing travel. As the Sony FS5’s payload is much higher than the A7III’s, we’d require a Manfrotto 502 or 504 tripod. I think we should invest on image quality rather than a “luxury” tripod like a Sachtler. A Joby GorillaPod allows any shooting setting (literal) versatility.


Atomos HDR/HB Monitor.An external recorder is needed for large shoots. It boosts the photo’s prominence, allowing clear suggestions on how to improve it. It also discourages people from gathering over your viewfinder.

Do you have any suggestions after seeing our camera bag and wish list? Comment below. Shoot well!

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